how can we know the dancer from the dance?

O chestnut tree, great rooted blossomer,

Are you the leaf, the blossom or the bole?

O body swayed to music, O brightening glance,

How can we know the dancer from the dance?

(W.B.Yeats  Among School Children)

Today’s Bharatnatyam class with Supratimji tapped into the mystery of embodiment.

It started innocently enough, with me showing him a step we had worked on previously. He wasn’t satisfied. He gave me cue after cue in an attempt to get me to truly inhabit the movement.

He had me sit down and find an internal focus. Once I felt established in that, I was to initiate the arm and eye movements. I slowly began to move. I experienced the feeling that it was the surrounding space that lifted my arm. Not me, moving, but just movement. The sweep of the arm, the drishti or gaze: no longer just graceful movements that I was doing. The dancer, and the dance coalescing…

After this he had me move on to explore the asamyukta hasta mudras – the single hand gestures – from this same consciousness.

Supratim: When you take the hand position of, for example, triśula – you must feel the energy coursing through the three raised fingers. If you do not, then it’s not right. When the energy finds its path, the gesture will be right. You must feel this.

The application of this is all-encompassing. Yogāsana, Bharatanatyam, holding my grandson – it touches everything in this ecstatically beautiful, embodied existence. W.B.Yeats’ final question sums it up:

O body swayed to music, O brightening glance,

How can we know the dancer from the dance?

Shiva Nataraja Stock Illustrations – 553 Shiva Nataraja Stock  Illustrations, Vectors & Clipart - Dreamstime

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